- The recording took place in the courtyard of a house in the hills, in Piedmont.
The bangs are produced by anti-hail guns: a storm is imminent. There are birds, sporadic human sounds, dogs and, throughout most of the recording, rain, all punctuated by the bangs.
The human being eclipsed, the cannons sound like thunders, a transformation is occurring: a continually disturbed landscape becomes nature.
The variations are given by the overlapping of multiple audio signal processing onto the original recording - the rain triggers sound gestures that remind you of it, same goes for the owl -
which is left intact, uncut, and at a constant volume; the effect tracks come and go with imitative motive.
The idea is to turn a real landscape into an ambiguous place, where the various sound sources melt, losing their way.
This album sounds like a hazy memory from a time when you were blissfully unaware of the end, and now you’re reminiscing and swimming inside those visions, longing. Fabio Viola
This left-of-center ambient collection from UK producer Xqui threads soothing, layered synth melodies through twisted arrangements. Bandcamp New & Notable Feb 3, 2021
Field recordings intertwine with hushed acoustics and gentle ambience to create songs that are hypnotic and immersive. Bandcamp New & Notable Jun 13, 2020
Along with "Zonk", this release is DODT's very best. Pure sonic dopamine for deep chilling or plain zonking out. A must-have for the serious psychonautical toolkit. JLP